The Digital Sensor: A Guide to Understanding Digital Cameras
by Wesley Fink on April 21, 2008 1:00 AM EST- Posted in
- Digital Camera
Fast Forward
With digital SLR sales continuing to show record growth in a photographic market whose overall growth is much slower, it should be clear that a lot of photo buyers are selecting digital SLR cameras instead. The reasons many of these new buyers select a digital SLR is because they want better quality pictures than they can get with a point and shoot camera. They may also choose a DSLR for the flexibility and growth potential if they get hooked on the photo hobby.
These are exactly the same reasons buyers chose film SLRs instead of 110 point and shoots in the 70s, and 80s. Those reasons are just as valid in the DSLR market as they were in film, and maybe even more so. Digital sensors, like other electronics, are constantly evolving and improving, and whatever megapixel assumptions we talk about today will certainly become invalid and outdated in the near future. However, it is very clear with today's sensors that the tiny sensors in compact point-and-shoot cameras are reaching the point where higher resolutions are simply being traded for noise. Somewhere around 8-10MP we are finding that higher resolution also generally means higher noise and lower sensitivity.
No doubt this roadblock will be passed with advancements in sensor technology, but today more than 8MP of clean resolution and usable sensitivities greater than ISO 400 are rare indeed in the compact camera market. APS C sensors in digital SLRs, however, seem to be getting better and better at higher and higher sensitivities at ever-increasing resolutions. Pundits are already screaming we are going too far with14MP sensors, but they forget that the smallest 4/3 sensor is still more than nine times greater area than the average compact sensor. There is still a lot of room for growth in resolution.
The other complaint - that lenses are finally reaching resolving limits with higher sensor resolutions - is certainly true with the cheap lenses that were the wunderkind of the developing SLR market. It looks like time for quality optics again as the industry has been skating for far too long in the low demands of the developing digital SLR market.
It also appears that prosumers, the serious amateurs among us, will be facing a difficult decision today and even more so in the near future. The cost of larger and larger sensors has been dropping rapidly, and CMOS sensor development from all the majors is also a factor in lowering costs and increasing resolution. Like it or not Canon and Nikon have already begun segmenting their SLR line into full-frame and APS C sensors. Those who couldn't figure out why Sony was introducing mainly full-frame lenses will finally get their answer later this year with Sony's 24.6MP full-frame flagship model.
Despite the fact that full-frame will be aimed at the top of the DSLR market by Canon/Nikon/Sony, the APS C market does not appear to be in any danger. Developments and new models will definitely continue. Players like Pentax and Samsung seem positively locked into the APS C space with no full-frame peeking around the corner, and Olympus has fought too hard for credibility with 4/3 to start singing a full-frame song. Similarly Nikon, Canon, and Sony will adamantly define the full-frame as pro and the rest of their line as prosumer and entry-level. Nikon may also have struck the marketing chord that will develop with full-frame sensors being touted more for their incredible range of ISO sensitivity than for their higher megapixel resolutions.
The problem is that prosumers lust after pro gear and a prosumer today will have to ask another question in their buying decision for accessories now that full-frame looks like it will be "for real". That question is: "will it work on a full-frame". The current $2000 street price of the Canon 5D and the coming release of the Canon 5D Mark II are making that question an important one for many prosumer buyers. The final street price of the presumer Sony "A900" is also still a mystery, but if it is in line with the Canon 5D, as many expect, then this question in the back of the minds of prosumers will move up-front very quickly.
The purpose of this sensor guide was not to explore every facet of sensor design and performance considerations. Each topic discussed could have been an individual article in its own right with more in-depth discussion of the factors that drive design decisions. Instead, the hope was to provide a framework of basic sensor information to provide a better understanding of the evolution of digital sensors and the types of concerns and decisions that are being made in the market today. We sincerely hope you come away with a better understanding and appreciation of the current digital SLR market, and perhaps of your own digital SLR camera or one you might buy in the future.
Part 2 of this Sensor Series is in the works and many of the images are already in the can. It will take a closer look at the sensitivity range and noise of the most recent sensors in the 14MP, 12MP, and 10MP classes of sensors. A few more cameras are on the way, and as soon as they are prepped and tested we will be sharing more of our findings on the newest sensors in the higher resolution sensor classes.
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gheinonen - Tuesday, October 14, 2008 - link
I am curious why that CMOS sensor in the high end Canon camera body has excellent low black noise compared to the images from a Fuji Pro S3/S5 with its Super CCD? I have used Fuji Pros since 2004 and have discovered that my black details in low light situations include a lot of random color noise which I do not see when reviewing images from the 1DS Mark2 body. What does the Canon body do to eliminate the random color noise in low light black detail? Is it the CMOS Sensor? Is it the body processing?Separately, the white detail on my Fuji Pro S3 has such expanded dynamic range that I can shoot higher exposures and then lower the exposure back to normal in software and it appears to lower or mask the noise floor in the same way that Dolby Noise Reduction works for audio.
bonedaddy - Wednesday, April 30, 2008 - link
I've been a 35 mm fan for years, and have a significant investment including multiple lenses, macro, ring lights etc. For trips etc the smaller cameras seemed fine--always had small 35 mm, for instance. However, re the digital small cameras, the amount of compression is really disappointing.Is my only choice to go back to a body/lens SLR if I want wide angle and telephoto capability AND good resolution?
Midwayman - Thursday, May 1, 2008 - link
No. But if you want wide/tele and really good high iso performance a SLR is where you need to be. PS camera have alway been a compromise. Small 35mm film cameras had focus issues, and lens issues too. Plus most people use iso 200-400 film which has reasonable quality even in a PS digital camera. The biggest difference is now we're blowing up the picture to 1:1 on our monitors and can see the quality defects easily. I bet if you printed your old compact photos at something like 16x20 you'd probably be unhappy with them too. That's the sort of scale we're looking at on our monitors zoomed in.CyniCat - Thursday, April 24, 2008 - link
Good article, but one glaring mistake: you claimed Sony was the first to make a 12+Mpixel CMOS sensor. I think you meant the first AFTER Canon - the 5D, with its 12.8Mpixel sensor, was on the market in 2005, and the 1Ds Mark II, with a 16Mp sensor, was on the market earlier than that.On a different front, I thought the Nikon D3 was using a Sony sensor, not a Nikon?
Wesley Fink - Friday, April 25, 2008 - link
The 5D and 1Ds II and III are full-frame sensors. The Sony was the first consumer (read affordable) APS-C sensor. Canon now has their own 12 megapixel consumer sensor in the XSi, which we are now reviewing.Nikon did their own designs for the D3 sensor, but they do not, to our knowledge, have the capabilities to manufacturer that sensor. Sony has manufactured sensors for them in the past and present with the D300, D60, D80, and others.
Since the new full-frame is CMOS it is likely manufactured by Sony, or possibley Samsung. Sony and Samsung (who make the Pentax 14.6 megapixel sensor) jointly own several patents on CMOS manufcaturing technology.
Wesley Fink - Friday, April 25, 2008 - link
That should read the read "First consumer 12 megapixel APS-C sensor". As mentioned several times in the article Canon pioneered CMOS technology in a consumer DSLR with the Digital Rebel.Midwayman - Wednesday, April 23, 2008 - link
This article complete skips of fuji's fantastic super CCD technology. Its not really a traditional Bayar array, nor a foveon. True they don't produce a interchangeable lens SLR but they do make prosumer SLR's with their sensor. Also the very notable fuji f30 series cameras were made with this sensor. It was a true triumph in PS camera high iso usability.ElFenix - Thursday, April 24, 2008 - link
fuji makes interchangeable lens SLRs with Nikon F mounts.Midwayman - Friday, April 25, 2008 - link
Hell, then there is no excuse for it not to be included in this article. Especially when it quite clearly states there are no other sensor options at one point.Wesley Fink - Friday, April 25, 2008 - link
There will always be fans of one technology or another who feel slighted. I apologize for that, but Fuji is still basically a Bayer sensor with a differnt pixel shape. I have added the following to the Bayer vs. Foveon page to make Fuji fans a bit happier:"FujiFilm produces one current DSLR with a variant of Bayer technology. It is called the Fuji S5 Pro and is basically a Nikon D200 body with a Fuji Super CCD sensor. The Fuji S5 Pro uses the Nikon lens mount. The Super CCD still uses red, blue and geen pixels in the same standard Bayer ratios. However, the shape of the pixel is hexagonal rather than the squate or rectangular pixels in other Bayer arrays. In the latest version Fuji also added smaller photosites between the normal pixels to gather "dynamic range" data.
Fuji has updated the camera body from the S3 to the S5 in the past year, but the sensor has not been updated for more than 3 years. The current Super CCD is still a 6.3 megapixel sensor, but Fuji specifes it as a 12.3 megapixel due to the addition fo the tiny "brightness" pixels. Tests indicate the true resolution is more comparable to an 8 to 10 megapixel sensor from competitors. The Fuji sensor is still basically a Bayer sensor with a different shape for pixels."
We can probably now all argue whether the Fuji Super CCD is really a Bayer variant or not. It certainly appears that way to me, and as a CCD instead of a CMOS sensor it is need of a serious update if it is to continue as a player in the DSLR market.