Pentax

Pentax saved the announcement of their new entry Pentax K-m for the actual Photokina show. In the best historical Pentax tradition, the K2000 will be very reasonably priced.


Along with the new low-priced 10.2MP Pentax K2000, two new "light" lenses were introduced. Pentax has been almost alone among manufacturers in providing metal mount rings even with their kit lenses. The new DA L 18-55mm and DA L 50-200mm lenses, like most other kit lenses, are built to be cheaper to manufacture. Other details were in the press announcement:

PENTAX ANNOUNCES K2000 DIGITAL SLR SYSTEM, TWO
DA* HIGH PERFORMANCE LENSES, AND RING FLASH

GOLDEN, CO (September 22, 2008)…PENTAX Imaging Company has announced the PENTAX K2000 DSLR system designed specifically for consumers who are ready to make the transition from a point-and-shoot digital camera to digital SLR photography. The PENTAX K2000 is an entry-level system consisting of the new PENTAX K2000 body, the smc PENTAX DA L 18-55mm f/3.5-5.6 AL lens, and the PENTAX AF200FG Auto Flash.

Bundled as a complete kit for the convenience of the customer, the PENTAX K2000 system offers uncomplicated operation for new digital SLR users and family photographers seeking high-quality digital SLR photography for the first time. Combining PENTAX developed, easy-to-use Auto Picture modes as well as powerful learning functions all housed in one of the smallest, lightest camera bodies in its class, the PENTAX K2000 system is ideal for digital SLR beginners. Additional features on the newest digital K2000 SLR body include a 10.2MP CCD, a 2.7 inch, 230,000 dot high resolution, wide-view LCD panel, and an ultra compact design that facilitates one handed operation. The body also features the same PENTAX developed Shake Reduction technology found on more advanced K series digital SLRs. PENTAX Shake Reduction is compatible with more than 25 million PENTAX lenses to deliver sharp images even when handheld at slower shutter speeds. The K2000 also features the powerful PENTAX developed Auto Picture Mode, which selects from Portrait, Landscape, Macro, Action, and Night Portrait modes to tailor the camera settings for any photographic situation. The camera also has a comprehensive Dust Removal system to help keep images spotless. A dedicated programmable help button clearly explains current camera settings to guide and teach the user about digital SLR photography.

The lens included with the PENTAX K2000 system is the first of a new series introduced with the DA L designation. Along with the smc PENTAX DA L 18-55mm f/3.5-5.6 AL lens, PENTAX is announcing the smc PENTAX DA L 50-200mm f/4-5.6 ED zoom lens. (See note below.) The affordable DA L series offers the same optical design, construction and compatibility as the current smc PENTAX DA 18-55mm II and smc PENTAX DA 50-200mm lenses. Also included with the system is the easy-to-use PENTAX AF200FG Auto Flash. This hot-shoe flash features a compact, lightweight body, wide angle diffuser, a guide number of 20 (at ISO 100/m) and simple dial operation to assure effortless flash photography for everyone.

*Note: The smc PENTAX DA L 18-55mm f/3.5-5.6 AL and smc PENTAX DA L 50-200mm f/4-5.6 ED lenses will only be available in the US as part of the PENTAX K2000 Lens Kit or PENTAX K2000 Double Zoom Kit. This new PENTAX digital SLR body will only be available under the PENTAX K2000 product name in the US. The same body will be available under the PENTAX K-m product name outside of the US.


PENTAX has also announced two high performance interchangeable lenses for use with PENTAX digital SLR cameras to deliver top-quality digital images. The smc PENTAX DA* 60-250mm f/4 ED[IF] SDM is a versatile telephoto zoom lens offering a high zoom ratio, while the smc PENTAX DA* 55mm f/1.4 SDM is a compact medium-telephoto lens offering a large maximum aperture. The two lenses are the newest members of the exclusive DA* (Star) series and each is designed to deliver top optical performance. Combining a host of advanced technologies including extra-low dispersion (ED) optical elements and PENTAX original lens coatings, these new lenses assure outstanding image quality with clear, high-contrast images, even at edges of the image field. These * lenses also feature water and dust resistant sealing for reliable operation in inclement weather conditions, as well as the PENTAX Quick-Shift Focus system to allow instant auto-to-manual focus switching. The objective lens surfaces are treated with the PENTAX original Super Protect (SP) coating. This special fluorine compound is applied to the lens surface through a vapor deposition process to create a surface that effectively repels dust, water and grease, making it easy to wipe off fingerprints and cosmetic marks. The combination of special lens coatings, ideal curvature and best positioning of optical elements assures these lenses are designed to optimize digital imaging characteristics, while effectively minimizing flare and ghosting. Additionally, the DA* 55mm f/1.4 lens also features a new Aero Bright coating for maximum light transmission, as well as rounded diaphragm blades to create a more circular aperture for smooth, beautiful bokeh at large apertures. The image circle of the lenses is perfectly proportioned to the image-sensor size of PENTAX digital SLR cameras, and despite the large maximum aperture, the lenses are designed to be compact and lightweight to enhance maneuverability and operability.

PENTAX also announced the PENTAX AF160FC Auto Macro Ring Flash. This accessory flash unit is uniquely suited for advanced close-up applications using the automatic exposure-control system of PENTAX digital SLR cameras. Designed to offer uniform lighting on a subject to minimize shadows, the flash is ideal for close-up, portrait, product, dental and medical applications.

Full-Frame Takes Over the High-End Olympus
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  • plonk420 - Saturday, September 27, 2008 - link

    one person i know says that this is a breakthru for indy film producers. another person in film doesn't believe that it's coming from a digiSLR...

    http://vincentlaforet.com/">http://vincentlaforet.com/

    a short film produced WITHOUT POST PRODUCTION (save for resizing) with the 5D Mark II as source. impromptu petition has even been setup to try to convince Canon to bequeath it with 24p in a firmware update...
  • yyrkoon - Saturday, September 27, 2008 - link

    Being the leader in image manipulation, I am surprised that Adobe gave no details as to what CS4 is capable of ? This is an assumption on my behalf because I am sure you guys at Anandtech.com *would* report the nitty-gritty if it were made available . . . right ?

    It is rumored that CS4 will take advantage of CUDA for parallel processing of images. This could be a HUGE boon for image retouchers, and judging from the current CUDA enabled scripting filter examples on Adobes site, I would view this as the next logical step for them.
  • Wesley Fink - Saturday, September 27, 2008 - link

    The info provided by Adobe was short on specifics and big on sweeping generalities in the Press release. Adobe does claim more support of current hardware and is said to fully support quad core processing. That should interest our readers. CS4 also claims to better support today's graphics cards (GPU) for smoother pan and zoom functions though they don't specify which GPU hardware they are talking about.

    To be blunt most PS users are forced to upgrade because Adobe makes new versions of its very popular Camera RAW plug-in incompatible with older PS versions. That means when you finally get your newer camera you are forced to upgrade PS if you want to process RAW files in Photoshop.

    We believed our readers would want to know a new version of Photoshop is coming, and they could find out more it they were interested. You can see the Press Release for yourself at http://www.adobe.com/aboutadobe/pressroom/pressrel...">http://www.adobe.com/aboutadobe/pressro...srelease... We decided not to repeat it. We will know more when Photoshop CS4 and PS CS4 Extended ship next month.
  • yyrkoon - Saturday, September 27, 2008 - link

    Yeah, thats exactly what I did: read adobes support pages, and the list is quite extensive. Albeit not as extensive as I hoped.

    One thing that Adobe can not do quite right is standardize their UI, which they have changed AGAIN, and honestly it is annoying. They *claim* it will improve the user experience, and help speed things up, but that yet remains to be seen.
  • melgross - Friday, September 26, 2008 - link

    There's an error in the first chart. The Nikon etc. numbers should read 15.7 x 23.5.

    This also shows why the 4/3 format has such a problem. If Olympus/Panasonic want to make a 15 MP sensor, the pixel density will jump to 6.2. That's way above where the other cameras will be. The 50D, with 15 MP is at 4.5. This will be a disadvantage in S/N. With less pixels, this hasn't been as much of a problem (though Panasonic has always has noise problems), but as site size continues to diminish, they will find it more difficult to make up for it.
  • Wesley Fink - Friday, September 26, 2008 - link

    Dimension is corrected. The area was correct, but the decimal number for one dimension got dropped in editing.
  • melgross - Friday, September 26, 2008 - link

    Olympus doesn't use the faster, and often more accurate, phase detection for auto focus?

    Or is it that the compatibility will only extend to the older method of contrast detection?

    If so, and there's no phase detection, that's a negative.
  • strikeback03 - Monday, September 29, 2008 - link

    They do use phase detect in their SLRs, along with some having contrast detect capability. The micro-4/3 cameras, as they have no mirror or other means of redirecting light, cannot use phase detect AF.

    And I also wonder why anything in the lens has something to do with whether contrast detect AF works or not.
  • Johnmcl7 - Friday, September 26, 2008 - link

    "The prototype has interchangeable Micro Four Thirds lenses and can fit today's Four Thirds lenses with full functionality by using an adapter"

    As far as I'm aware the G1 does not have full compatibility with 4/3 lenses, there's no AF unless the lens supports contrast detect AF which is expected to be the same for the Olympus micro 4/3. The press release is vague on the point as it simply says you can mnount the lenses.

    John
  • Wesley Fink - Friday, September 26, 2008 - link

    You are certainly correct that the Press release is less than crystal clear on this point. Based on the info you provide I have slightly changed the description you quote to remove "with full functionality".

    We are also dealing with a prototype 6 months from introduction and we can only speculate on the shipping product. If your speculation is correct then four current 4/3 lenses support contrast detect. They are the 14-42mm, 40-150mm, 25mm f2.8, and the latest Panasonic/Leica 14-50mm.

    Olympus was able to add contrast-detect compatibility to these lenses with a firmware upgrade. We are left to wonder whether that may be possible with other current 4/3 lenses. We will know with the shipping Olympus Micro 4/3 compact.

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