A Look At QD Vision's Color IQ And The Philips 276E6 Monitor: Quantum Dots for Wider Color Gamuts
by Brandon Chester on April 28, 2016 8:00 AM EST- Posted in
- Monitors
- Philips
- Quantum Dot
- QD Vision
Final Words
QD Vision's Color IQ tech certainly delivers. In the case of the Philips 276E6, it actually delivers more than what it promises. Technically the monitor doesn't meet the Adobe RGB spec, but this is mostly due to it exceeding it rather than falling short. The gamut that it achieves is clear evidence that this quantum dot technology can be employed in monitors with relatively low prices to achieve a wide color gamut, which is something that has only existed on a small group of premium monitors until now. Given that the Philips 276E6 shows oversaturation with its red primary, I would be interested in seeing Color IQ used in a monitor targeting the DCI-P3 color space which is about to become the canon color space for UltraHD content as we move away from sRGB on a path toward eventual Rec. 2020 support.
While the Philips 276E6 is certainly a successful demonstration of QD Vision's quantum dot technology, it's difficult to say that it's successful as a product in its own right. This is a combination of two factors, with one of them being primarily an external factor.
From the last two pages it's pretty clear that Windows is not ready at all for a transition to a world beyond sRGB, and even within that gamut it makes it quite a pain to do basic color corrections. For many years, vendors who ship wide gamut displays have identified this issue and provided a fix of sorts in the form of an sRGB monitor mode which constrains its gamut so the vast majority of content on the web will render correctly without relying on proper color management. With Philips being a new entrant to this space, it seems that they were either not aware of, or underestimated the necessity of such a feature. I want to stress that this isn't something that any of these vendors should have to do, but when the most widely used desktop operating system doesn't do a good job with color management, it's something you need to do to provide a good experience for your users. Philips hasn't helped this problem by also not even providing a proper ICC color profile so that applications that actually are color managed will work correctly.
The second factor is that the Philips 276E6 is just not where it needs to be in terms of uniformity and color accuracy. Based on my measurements of two of these monitors, it's clear that Philips is allowing a large degree of variance between units. Out of the box, it's hard to tell what settings provide the most accurate image. On my original unit it was the Adobe RGB preset, while on the second unit it's the 6500K preset. Regardless of which I chose, both monitors exhibited concerning issues with color accuracy, and both had an oversaturated red primary. I'm not the only reviewer to find this, and so it's probably true of all the units which is very disappointing.
Post-calibration numbers were better in some respects, but not others. The big shift in saturation accuracy with the 200 nit calibration was very surprising to me, and it may be best to not tweak the white point at the monitor level at all. Unfortunately, making more corrections through greyscale calibration means you reduce the tonal range of the monitor further by limiting the number of distinct levels for the red, green, and blue components, which can introduce color banding. On top of that, the fact that the Philips 276E6 is trying to target a low price point means that the idea of calibrating with a $1500 spectrophotometer using $3000 software is quite absurd, and the very large variance between panels means there's not even any point in me providing an ICC profile to be used in a general manner.
In the end, I think Philips simply has some things to learn about the wide gamut monitor market, and I'm still quite interested in seeing what future products they release, along with what future products will come from other manufacturers. Philips should definitely be applauded for taking the first step toward low-cost wide gamut displays, and if they can improve their panel accuracy and include a proper sRGB color mode they'll have a very compelling product on their hands. If 1920x1080 is the target resolution to manage cost I would probably opt for a smaller panel size as well, as the pixel density is just too low on a 27" panel.
On the software side, the companies that currently ship operating systems with essentially non-functioning color management need to get their act together. Wide gamut displays are coming, and not handling multiple color standards properly is incredibly detrimental to the user experience.
As for Color IQ, I think the technology has a bright future. It's clear that it can be added to displays with only a minimal impact on price to the consumer, and the advantages are significant. The tech can clearly push a wider red primary than the Adobe RGB standard specifies, so I'd like to see some DCI-P3 monitors using the tech so consumers can take advantage of upcoming UltraHD content that will support the wider color space. As a technology, I think Color IQ will probably exist alongside film-based quantum dot technologies, as edge-lit LCDs are never going to properly support HDR standards because of their inability to do proper local dimming, and a film solution is the only feasible way to use the tech in smartphones and tablets. However, with the majority of the TV and monitor market using edge-lit displays there's a huge opportunity here to bring wider color gamuts to the masses. While I cannot really recommend buying the Philips 276E6 in its current state, I'm looking forward to future products that use QD Vision's Color IQ technology, both from Philips and from other vendors that I anticipate will adopt this technology soon.
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ImSpartacus - Thursday, April 28, 2016 - link
Fascinating read. Intuitively, I didn't anticipate a downside to a wide gamut monitor, so that's interesting to learn about.Though, honestly, as a layman, I have little use for something with that much potential. Cheap Korean panels, hooooooooo!
nathanddrews - Thursday, April 28, 2016 - link
This is only the beginning. With the advent of Rec. 2020 HDR monitors, we are looking at an even more complex calibration system. Even now, HDR televisions effectively have no way to calibrate to a standard. Supposedly Microsoft is working on a W10 update to improve color support for 10-bit and HDR... but without a sincere, ground-up overhaul of color handling, I don't think it will amount to much.Gotta keep the hope, though. I really want to play some HDR games on OLED.
Michael Bay - Thursday, April 28, 2016 - link
I dread the day my insider preview build will mention color profiling. Bugs will be atrocious!crimsonson - Thursday, April 28, 2016 - link
Dolby and SMPTE have offered each a standard for HDR.nathanddrews - Friday, April 29, 2016 - link
Both of which have no good calibration method yet. Ideally, the unit would come pre-calibrated for both dark and bright environments, HDR10 and DV. Of course, if the player and TV could talk to each other to constrain the nit levels to the calibrated display output... I would be in heaven.BrokenCrayons - Thursday, April 28, 2016 - link
Yup, monitors that attempt to display colors accurately or at higher resolutions seem like sort of a pain in the backside to deal with. Certainly, there's good reasons for them, but I'm perfectly happy using bottom-feeder 1366x768 screens for the moment. Higher resolutions aren't important and neither is color accuracy. It's great to see the technology maturing, but you could stick me with a smeary old passive matrix LCD panel from a mid-90s era laptop and it'd be fine.Solandri - Monday, May 2, 2016 - link
As someone old enough to remember the loss of color gamut moving from CRTs to LCDs, I can't wait for sRGB to die so we can move to a more realistic color gamut like Adobe RGB (which is fairly close to the NTSC standard used for CRTs).The color profile problem is only a problem when displaying pictures with a certain color profile on a screen with a different color profile. The problem goes away if everyone uses the same default color profile.
Unfortunately for 20 years now, the default has been the atrocious sRGB. Decades from now, photos and movies shot in this era will be notable for their lack of color saturation, because they were made for the sRGB color space. I quit shooting JPEGs with my DSLR precisely for this reason - my camera's RAW photos cover Adobe RGB space, so by shooting as JPEG I was throwing away a lot of color information.
willis936 - Thursday, April 28, 2016 - link
Excellent write up. Lots of info for getting people up to speed on color management.Michael Bay - Thursday, April 28, 2016 - link
First in was Mami, and now R;N. Animoo certainly conquered AT in these couple of years.Jacerie - Thursday, April 28, 2016 - link
There's a typo in the title. Quantum is spelled with a U not an O.