Olympis E30 DSLR Specifications
General Product Information
Product Type Single-lens reflex Live View digital camera with interchangeable lens system
Memory CompactFlash Type I/II (UDMA), Microdrive, xD-Picture Card (Dual-Slot)
Screen size 17.3 mm (H) x 13.0 mm (V)
Lens mount Four Thirds Mount
Effective Pixels number 12.3 million pixels
Box contents Body, Li-ion battery BLM-1, Li-ion battery charger BCM-2, USB/Video Multi cable, Eye piece cover EPC-1, Shoulder strap, OLYMPUS Master CD-ROM, Instruction manual, Warranty card.
Image Pickup Unit
Product type High speed Live MOS Sensor
Total no. of pixels Approx. 13.1 million pixels
Aspect ratio 1.33 (4:3)
Filter array Primary color filter (RGB)
LPF Fixed type
IR cut filter Hybrid type
Dust reduction Supersonic Wave Filter (dust reduction system for image sensor)
Recording
Recording format DCF, DPOF compatible/Exif, PRINT Image Matching III
File format RAW (12-bit lossless compression), JPEG, RAW+JPEG
Recording image size [RAW] 4032 x 3024 pixels
[JPEG] 4032 x 3024 pixels - 640 x 480 pixels
File size RAW: 4032 x 3024 (approx. 1/1.5 lossless compressed) Approx. 13.9MB
Large: 4032 x 3024 Super fine (1/2.7 compressed) Approx. 8.2MB
4032 x 3024 Fine (1/4 compressed) Approx. 5.7MB
4032 x 3024 Normal (1/8 compressed) Approx. 2.7MB
4032 x 3024 Basic (1/12 compressed) Approx. 1.8MB
Middle 3200 x 2400 Super fine (1/2.7 compressed) Approx. 5.4MB
3200 x 2400 Fine (1/4 compressed) Approx. 3.4MB
3200 x 2400 Normal (1/8 compressed) Approx. 1.7MB
3200 x 2400 Basic (1/12 compressed) Approx. 1.2MB
2560 x 1920 Super fine (1/2.7 compressed) Approx. 3.2MB
2560 x 1920 Fine (1/4 compressed) Approx. 2.2MB
2560 x 1920 Normal (1/8 compressed) Approx. 1.1MB
2560 x 1920 Basic (1/12 compressed) Approx. 0.8MB
Small 1600 x 1200 Super fine (1/2.7 compressed) Approx. 1.3MB
1600 x 1200 Fine (1/4 compressed) Approx. 0.9MB
1600 x 1200 Normal (1/8 compressed) Approx. 0.5MB
1600 x 1200 Basic (1/12 compressed) Approx. 0.4MB
1280 x 960 Super fine (1/2.7 compressed) Approx. 0.9MB
1280 x 960 Fine (1/4 compressed) Approx. 0.6MB
1280 x 960 Normal (1/8 compressed) Approx. 0.3MB
1280 x 960 Basic (1/12 compressed) Approx. 0.3MB
1024 x 768 Super fine (1/2.7 compressed) Approx. 0.6MB
1024 x 768 Fine (1/4 compressed) Approx. 0.4MB
1024 x 768 Normal (1/8 compressed) Approx. 0.3MB
1024 x 768 Basic (1/12 compressed) Approx. 0.2MB
640 x 480 Super fine (1/2.7 compressed) Approx. 0.3MB
640 x 480 Fine (1/4 compressed) Approx. 0.2MB
640 x 480 Normal (1/8 compressed) Approx. 0.1MB
640 x 480 Basic (1/12 compressed) Approx. 0.1MB
Viewfinder
Product type Eye-level single-lens reflex viewfinder
Field of view Approx. 98%
Viewfinder magnification Approx.1.02x (?1m-1, 50mm lens, infinity)
Eye point Approx. 24.2 mm (-1m-1)
Diopter adjustment range -3.0 - +1m-1
Focusing screen Neo Lumi-Micro Mat screen : FS-3 Grid Focusing Screen can be installed by Olympus Service.
Eyepiece shutter Eye piece cover EPC-1 supplied
Eye cup Interchangeable type EP-5/6/7, EP-5 is supplied (Magnifier Eyecup ME-1 is available)
Optical preview (view finder) Yes, by preview button
Live preview Available to set to Fn button
View finder information Aperture value, Shutter speed, Record mode, AF confirmation mark, Flash, WB, AE lock, Number of storable still images, Exposure compensation value, Metering mode, Battery warning, Exposure mode, AF frame (super impose), IS, Bracket,
ISO value
Live View
Live View High speed Live MOS Sensor for still picture shooting is used, 100% field of view,
Exposure adjustment pre-view, White balance adjustment pre-view, Gradation auto pre-view
Face detection pre-view, Perfect shot pre-view
Grid line displayable, 5x/7x/10x magnification possible, MF/S-AF,
AF frame display, AF point display, Shooting information, Histogram, IS activating mode.
AF High speed imager AF, Phase-difference detection AF
Image Stabilizer
System Built in (Imager shift image stabilizer)
Mode 3 modes (2 dimensional activation, 1 dimensional activation in landscape frame to vertical direction moving, 1 dimensional activation in portrait frame to horizontal direction moving )
Manual Function input focal length 8, 10, 12, 16, 18, 24, 28, 30, 35, 40, 48, 50, 55, 65, 70, 75, 80, 85, 90, 100, 105, 120, 135, 150, 200, 210, 250, 300, 350, 400, 500, 600, 800, 1000
Effective compensation range Approx.5 EV steps?(in maximum effect)
LCD Display
Product type HyperCrystal II LCD (semi-transmissive TFT color LCD)
Size 2.7 inches
Total no. of pixels Approx. 230, 000 pixels
Playback field of view 100%
Brightness control 15 levels
Color Balance 15 levels
Focusing
AF system TTL phase-difference detection system
Contrast detection system (with 25mm f2.8, 14-42mm f3.5-5.6, 40-150mm f4.0-5.6, 9-18mm f4.0-5.6, 14-54mm f2.8-3.5II)
Focus mode Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF)
S-AF + MF / C-AF + MF * C-AF mode is not available with the contrast detection system
Focusing point 11 points full-twin cross AF sensor with the phase-difference detection system
11-area multiple AF with the contrast detection system (Auto, selectable in option)
Focusing point selection Single target, Dynamic single target, All targets with the phase-difference detection system
Single, all 11 area, or Face detection with the contrast detection system
AF luminance range EV -2 to 19 (at 20C, ISO 100) (phase-difference detection system)
AF illuminator Built-in flash (external flash available) (phase-difference detection system)
AF lock Locked at first position of Shutter button in Single AF mode / AEL button (customizable)
Focus tracking Interlocked with Continuous AF mode (phase-difference detection system)
Focus aid Available
Fine Adjustment +/- 20 steps, 20 data can be registered
Exposure Control
Metering system TTL open-aperture metering system (1) Digital ESP metering (49-points multi pattern metering) (2) Centre weighted average metering (3) Spot metering (approx. 2% for the viewfinder screen. Highlight / shadow bases are available)
Metering range EV 1 - 20 (Digital ESP metering, Centre weighted average metering, Spot metering)
(At normal temperature, 50mm f2, ISO 100)
Exposure mode (1) Auto (2) P: Program AE (Program shift can be performed) (3) A: Aperture priority AE (4) S: Shutter priority AE (5) M: Manual (6) Scene program AE (7) Scene select AE
Scene program AE Portrait, Landscape, Macro, Sport, Night + Portrait
Scene select AE Children, High Key, Low Key, DIS mode, Nature Macro, Candle, Sunset, Fireworks, Documents,
AUTO (ISO 100 - 3200) / Manual (ISO 100 - 3200), 1/3 or 1 EV steps
ISO sensitivity AUTO (ISO 100 - 3200) / Manual (ISO 100 - 3200), 1/3 or 1 EV steps
Exposure compensation +/-5 EV in 1/3, 1/2, 1 EV steps selectable
AE lock AEL button (customizable)
Exposure bracketing 3 or 5 frames in 0.3, 0.5, 0.7, 1EV steps selectable
ISO bracketing 3 frames in 0.3, 0.7, 1EV steps selectable
Metering standard value adjustment 1/6 EV step, +/- 1EV range
White Balance
Auto WB system Hybrid detection system with High speed Live MOS sensor and dedicated external sensor.
Preset white balance 8 settings (3000K - 7500K)
Lamp (3000K), Fluorescent 1 (4000K), Fluorescent 2 (4500K), Fluorescent 3 (6600K), Daylight (5300K), Flash (5500K), Cloudy (6000K), Shade (7500K)
White balance compensation +/-7 steps in each A-B/G-M axis (in Auto WB / Preset WB mode / One touch WB)
CWB (Kelvin setting) 1 setting can be registered at Kelvin temperature (2000K - 14000K)
One-touch white balance 1 custom setting can be registered
White balance bracketing 3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis.
Color Mode
Color space sRGB, Adobe RGB
Picture Mode
Mode Vivid, Natural, Portrait, Muted, Monotone, Custom (default setting: Natural)
In custom mode, basic 5 modes and adjustment is available.
Adjustment parameter Contrast, Sharpness and Saturation level available in 5 steps for Vivid, Natural, Portrait and Muted
Contrast and Sharpness level available in 5 steps for Monotone.
In custom mode, gradation level available in 4 steps.
Filter effect Yellow, Orange, Red or Green filter available for Monotone
Picture tone Sepia, Blue, Purple or Green tone available for Monotone
Gradation 4 levels (Auto, High key, Normal, Low key)
Shutter
Product type Computerized focal-plane shutter
Shutter speed P(Ps), S, A, M mode: 60 - 1/8000 sec.
Bulb: up to 30 min. (selectable longest time in the menu. Default: 8 min. TBD
1/3, 1/2, or 1EV steps selectable.
Self-timer Operation time: 12 sec., 2 sec. (cancel available)
Remote cable release Available (with optional RM-UC1 Remote cable.)
Optical remote control Operation time: 2 sec., 0 sec., bulb control available (with optional RM-1 remote control)
Anti shock mode Available (1 to 30 sec selectable)
Drive
Drive mode Single-frame shooting, Sequential shooting H, Sequential shooting L, Self-timer, Remote control
Sequential shooting speed Approx. 5 frames/sec. in sequential shooting H, 1 to 4 fps selectable in sequential shooting L.
Max. recordable pictureson sequential shooting RAW mode: Max. 12 frames.
JPEG mode: Depends on compression ratio and no. of pixels
(Large normal mode: up to card capacity with High Speed CF cards)
Integrated Flash
Built-in flash Retractable flash, GN=18 @ISO200, (GN=13 @ISO 100.m)
Compatible external flash FL-50R, FL-36R, FL-50, FL-36, FL-20
Flash control mode TTL Auto (TTL pre-flash mode), Auto, Manual
Flash mode Auto, Red-eye reduction, Red-eye reduction slow sync., Slow sync at 1st curtain, Slow sync at 2nd curtain, Fill-in,
Manual (1/4, 1/16, 1/64), Off.
Synchronization speed 1/250 sec. or less
Flash intensity control Up to +/-3 EV in 0.3, 0.5, 1 EV steps
Flash bracketing 3 frames in 0.3, 0.5, 0.7, 1 EV steps selectable.
Wireless flash control
Compatible external flash FL-50R, FL-36R
Control method Triggered and controlled by built-in flash light
Flash control modes TTL Auto (TTL pre-flash mode), Auto, Manual, FP TTL Auto, FP Manual.
Number of channels 4 channels
Group setting 3 groups
Art Filter
Mode Pop Art, Soft Focus, Pale&Light Color, Light Tone, Grainy Film, Pin Hole
Multi Exposure
Number of picture 2-4 pictures
Functions Auto gain, Live View, Exposing on Recorded picture
Multi Aspect
Aspect Ratio 4:3(Default)?3:2?16:9?6:6?5:4?7:6?6:5?7:5?3:4
Control panel
Information WB setting, WB compensation notification, B/W mode notification, Record mode, ISO sensitivity, Program Sift
BKT notification, Flash mode, Drive mode, Recordable still image number, Shutter Speed, Aperture Value
Exposure compensation value, Metering mode, AF mode, Activated AF points, Focusing mode, IS, Multi Exposure
Back light timer 8 sec.
Super control panel
Information (Shooting) Battery information, Exposure mode, Shutter speed, Aperture value, Exposure compensation value, ISO sensitivity,
Exposure compensation indicator, Exposure indicator, Flash intensity compensation indicator, Date, BKT setting,
NR setting, WB, WB compensation value, Picture mode, Flash mode, Record mode, Image size, Card information,
Drive mode, Flash intensity compensation value, Metering mode, Recordable still image number, Focusing mode,
FP warning, AF frame, AF illuminator deactivated notification, , Color space, Sharpness, Contrast, Saturation,
Gradation, IS activating mode, Face detection, RC mode setting, My Mode, Flush Charge, Multi Exposure, Aspect Ratio
Information (Wireless flash commander) Exposure mode, Shutter speed, Aperture value, Exposure compensation value bar, Exposure compensation value
Flash compensation value bar, Flash compensation value, ALE notification, Flash compensation notification
NR notification, BKT notification, AF illuminator deactivated notification, Color space
Wireless channel setting, Built-in flash intensity, Group setting
Back light timer Back light lighting time is selectable. (Keep, 8, 30sec, 1min)
Playback
Playback modes Single-frame, Index (4/9/16/25/49/100 frames), Calendar, Close-up ( 2 - 14X),
Slideshow, Picture rotation (auto mode available), Light box
Information display Histogram (independent luminance / RGB available),
Highlight / Shadow point warning, AF frame, Shooting information
Menu
Languages Japan: Japanese, English (Additional one language is possible to download.)
Others: English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
Reset & custom setting
Custom reset 2 setting recordable
My mode 2 setting recordable
Image Editing
Erasing function Single frame, All frames, Selected frames
Protect function Single frame, Selected frames, Release protect (Single/All selected)
Copy between media Single frame, All frames, Selected frames
RAW picture editing RAW development
JPEG editing Shadow adjustment, Red-eye fix, Trimming, Monotone, Sepia, Saturation (color depth), Resize (producing another file), Aspect Change
Marge function 2-4 pictures, merge gain step 0.1-2.0 0.1 step
Print
Print function Print reservation (DPOF), Direct print (PictBridge compatible)
Input/Output
PC interface USB 2.0 High Speed for storage and camera control (MTP mode is available)
USB/Video connector Dedicated multi-connector (Video: NTSC/PAL selectable, Optional Remote cable RM-UC1 is available)
Flash attachment Hot shoe / External flash connector
DC-in Yes (AC-1 compatible)
Power Requirements
Battery BLM-1 Li-ion battery (included)
Sleep mode Available (1, 3, 5, 10 min., off selectable)
No. of recordable pictures Approx. 750 shots (optical viewfinder)
(with 50% flash light) (with BLM-1 under CIPA testing standard)
Power battery holder HLD-4 compatible
Dimensions/Weight
Dimensions 141.5 mm (W) x 107.5mm (H) x 75 mm (D) (excluding protrusions)
Weight 655g (body only)
Operating Environment
Temperature 0 - 40C (operation) / -20 - 60C (storage)
Humidity 30 - 90% (operation) / 10 - 90% (storage)
Splash proof No

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  • jcbenten - Monday, November 10, 2008 - link

    Interesting that the price for the E3 has dropped to $1299 on Amazon. Is the E30 designed to be a higher level camera? I know the sensor has more megapixels but are any sample shots available? I liked the design/ergonomics of the E3 but could not bring myself to pay full price 8 months ago.
  • melgross - Wednesday, November 12, 2008 - link

    The E-3 is their top model.

    http://www.olympusamerica.com/cpg_section/cpg_digi...">http://www.olympusamerica.com/cpg_section/cpg_digi...
  • computerfarmer - Sunday, November 9, 2008 - link

    Unique features, higher ISO ability with this new(12.3mp) sensor and traditional style DSLR. Higher ISO ability is becoming more common than in the past. This sensor at 12.3mp is the same as the one in Panasonic G1 that has a 12.1mp(effective) sensor. This means the Olympus E-30 is using the full sensor as compared to the G1.

    3/4" size VS "C" does not mean anything unless there is a quality difference. This new 3/4" sensor does challenge the slightly lager "C" sensor in all areas of quality photos. Perhaps this will help lower the prices of Nikon and Canon?

    The Camerea and kit lens look excellent.
  • melgross - Monday, November 10, 2008 - link

    Challenge does not mean "equal".

    Smaller sensors will always be at a disadvantage when compared to larger sensors.

    The reason why most point and shoot cameras have adopted a 4/3 format is because it requires fewer pixels. therefor, the sensor is cheaper to make. Since 8 x 10 is still a common format, as is 8.5 x 11, almost the same, it seems like a good idea.

    Of course, long ago, minilabs, such as the one I had,went to the larger 6 x 8 format.

    How are most people getting their prints these days? No consumer lab had printed 4 x 5's for many years. 3.5 x 5 was the popular format.

    This equires a re-thinking.

    The same thinking went into the 4/3 format from Olympus when they were first working on it.

    In response to the "It's the same as APS-C in quality", I always bring up the point that when Olympus first had its ads for this, they said:

    "A compromise between size, weight, price, and image quality".

    These cameras were never intended to compete directly with the APS-C models.

    he problem with it was that until now, with this new Micro camera size, the cameras were no smaller than the APS-C cameras, cost about the same, weighed about the same, but did have lower IQ.

    These new models balance out the equation. The IQ remains the same, but the rest promised years ago is finally here, except for price, which is still much too high.

    It's interesting that with the new red and blue models, they are acknowledging that sales of this camera isn't really to the serious amateur, but is rather an upgrade from the colorful point and shoots.

    Better drop the list to $799 for those sales to materialize.

    In todays market, even that may be too much.
  • computerfarmer - Monday, November 10, 2008 - link

    melgros,
    I agree with your comment => Challenge does not mean "equal".

    I am looking for a camera. I am reading as much as possible but do not have experience with good quality cameras. My camera is a Panasonic FZ8. The quality of this camera's photos are top's compared to my pocket camera. What I am looking for is to take the next step forward. I am not willing to spend more than $1000.

    I like taking Macros of flowers, Zoom in on Birds and family photos.

    Perhaps a Nikon D40X or D60

    I need to know how much of a zoom a 45mm-200mm lens will give or is a Kit lens good for general photo taking.

    Reviews are good but I need to learn more about every aspect.

    I am taking between now and Spring to choose.
  • melgross - Tuesday, November 11, 2008 - link

    It's not simple if you already have lenses, as many do.

    If you are starting from scratch, you have to decide what you will be taking pictures of most of the time, how important those pictures are, how large you will make them, etc.

    Truthfully, if you shoot for yourself, and don't plan to print bigger than about 12 x 18, most any D-SLR is just fine, though I'd stay away from anything under 10 MP for that size.

    When you check, you have to decide if you use flash whenever you are in low lighting, or prefer more candid photos, with no flash. If the latter, then you need to check the higher ISO quality. Noise becomes a distraction. some are better than others. That's one area in which the 4/3 format D-SLRs are behind. But, it may not matter if you always shoot at ISO 400 and below.

    Zooms are pretty good these days, including the inexpensive ones, unless you plan on large prints of architecture, where they will fall down in quality.

    I usually recommend two shorter zooms with some overlap, rather than one long zoom, because you rarely need the entire range, and they are smaller and lighter, which means you will be more likely to actually take the camera with you. They will also have better quality than the longer one, which will fall when you get to the longest lengths, and wide open.

    A wide to short tele, and a short tele to long tele would be best.

    But for macro, remember that most zooms don't get you that close. You could use an adapter, but then the quality drops further.

    For macro, a lens labeled for that would be required, but again, some less expensive zooms may call themselves macros, but aren't really.

    A good place to go for quality, but not too technical reviews of lenses and cameras (and articles) is:

    http://www.popphoto.com/">http://www.popphoto.com/

    For more technical info along with good reviews, and articles, and a tremendous database of past tests:

    http://www.steves-digicams.com/">http://www.steves-digicams.com/

    There are quite a few more.
  • computerfarmer - Tuesday, November 11, 2008 - link

    melgross, Thank you for the info.

    I am now off to visit the sites you posted.

    Most of my photos are flowers(up close) and people, in and out doors. Most photos are printed no larger than 8 1/2 x 11 inches.

    I was looking at a Canon EOS 450D with the kit lens EF-S 18-55mm.
  • melgross - Wednesday, November 12, 2008 - link

    You're welcome. That should work just fine.
  • ste76 - Friday, November 7, 2008 - link

    Alot of people seem to think that an APS-C sensor is much bigger than the 4/3 sensor used by both Panasonic & Olympus, but in reality the 4/3 sensor is only "slightly smaller"

    Noise level's wise you would be hard pushed to tell the diffrence from ISO 100-400, it's only from IS0 800 onwards were slightly more noise creeps in on the 4/3 sensor but as most people print 8x10 or 12x10 even then you be hard pushed to see anything unless you pixel peep or view pictures at 100% or print poster size which 99% of hobbyist don't.

    One of the problems Olympus do need to sort out thou is banding at ISO1600+ pictures need to be exposed correctly to avoid this, were as the Nikon & Canon APS-C camera are abit more forgiving.

    Another problem is the lack of DR thou not as bad as it once was even with the current E-420/520 & E-3 DR is still around 0.7 of a stop less than say the Nikon D90/D300 & Canon 40/50D so highlights can be easily blown and shadow detail lost on thou really bad contrasty days but in reality if you don't know what your doing even with both Canon & Nikon you can still blow & loose detail.

    But as the 4/3 sensor get better with every new sensor released both Noise & DR get better to.

    This new Panasonic 12.3mp sensor is reportly have much better noise control and much better DR than the current 10mp NMOS sensor.

    The E-30 has alot of features not found on similar priced DSLR's & if the new 12.3mp sensor lives up to it claims of both less noise at high ISO & greater DR then Olympus will have a good seller on it's hands once the price comes down abit.
  • jcbenten - Friday, November 7, 2008 - link

    Am I missing something? What is the benefit to a 4/3 sensor vs. APS-C?

    Oly needs to drop the price to $1K and give the E-3 a FF sensor or they will quickly become irrelevant.

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