A900 Press Release

SAN DIEGO, Sept. 9, 2008
SONY UNVEILS FIRST FULL-FRAME ALPHA DSLR MODEL

Sony is introducing its full-frame α (alpha) DSLR-A900 camera, aimed at serious photo enthusiasts looking for traditional SLR performance with the added benefits of digital photography.


It is designed to deliver ultra-fine picture quality with the world's highest resolution, 24.6MP, 35mm full-frame CMOS sensor, and fast image processing with a new dual BIONZ processing engines. The camera is also the first to have a body-integrated image stabilization system for a full-frame sensor with Sony's SteadyShot Inside anti-shake system.

One look at the camera's distinctive pentaprism and nostalgic body design will evoke its full-frame optical performance. It features a bright, clear optical viewfinder with 100% field of view coverage that would impress even film photography loyalists.

"The α (alpha) DSLR-A900 introduction solidifies Sony's position as a leading camera manufacturer that can meet the demands of serious enthusiasts," said Phil Lubell, director of digital camera marketing at Sony Electronics. "It represents the best in sensor and image processing technologies and offers enhanced functions, performance, and reliability so photographers can push their creativity to the limit."

Ultra-Fine Images As the Human Eye Perceives Them

The camera's Exmor CMOS sensor delivers the photographic expressive power of wide angles and perspective that only a 35mm full-frame sensor can offer, and is designed to take advantage of the resolving power of high-precision α (alpha) lenses. Its high pixel count and large size provide enhanced image detail and a wider dynamic range for natural color reproduction and subtle tonal gradations.

The sensor is produced using proprietary Sony planarization technologies to ensure an ultra-flat surface across the entire imaging area. Instead of a single analog/digital convertor, the sensor uses over 6,000 on-chip, column-parallel A/D converters to convert analog signals to noise-resistant digital signals at the earliest possible stage. The result is reduced noise and high-speed transfer of data.

Image processing gets a boost in speed and power from the application of two BIONZ image processing engines. Large amounts of data captured by the 24.6MP sensor can be quickly processed to achieve a fast shooting response. Additionally, this dual BIONZ processing system applies advanced noise reduction algorithms producing images of exceptional quality and detail, especially at high ISO sensitivities.

World's First Anti-Shake System for a Full-Frame Sensor

The camera's newly developed, body-integrated SteadyShot Inside unit achieves an anti-shake effect equivalent to shutter speeds faster by 2.5 to 4 stops. This new unit provides stabilization for Sony, Minolta and Konica-Minolta wide-angle, large-aperture lenses, which is difficult for lens-integrated systems.

State-of-the-Art Optical Performance and Responsiveness

The ultra-bright viewfinder with 100% field of view coverage and 0.74x magnification enables accurate framing and preview. It features a high-power condenser lens, an eyepiece with high reflective-index glass, and a multi-layer, anti-reflective coating on every optical surface to deliver its extraordinarily bright and accurate view. Additionally, the focusing screen is user-replaceable, with additional L-type (grid pattern) and M-type (super spherical acute matte) screens sold separately.

The camera's newly developed autofocus system consists of nine wide-area sensors with 10 assist points for improved tracking of moving subjects. A center dual cross sensor comprised of two horizontal and two vertical line sensors as well as a dedicated f/2.8 sensor are included to achieve greater precision, especially when using fast-aperture lenses.

It also offers high-speed continuous shooting of 24.6MP images at five frames per second. A newly designed mirror box features a unique parallel-link mirror mechanism that moves on two horizontal axes to accommodate both 100% viewfinder coverage and the body-integrated image stabilization system without increasing the camera's size. The mirror box also has a new moving magnet actuator, a high-powered coreless motor for a faster shutter charge, and a magnet catcher to minimize mirror bounce and light refraction within the box.

Versatility to Unleash Creative Possibilities

The model's innovative intelligent preview function takes the guesswork out of setting up a shot and the hassle of taking multiple shots to achieve a desired effect.


After pressing the depth of field preview button, the camera "grabs" a RAW preview image, which is processed and displayed on the LCD screen. You can then fine tune white balance, determine the best level and effect of dynamic range optimization, adjust exposure compensation, and check histogram data, all before you actually take the picture. Preview images are not recorded on the camera's memory card, thus saving capacity.

Other key features aimed to expand creative options include the Dynamic Range Optimizer (DRO) with five levels of user-selectable correction as well as DRO bracketing for enhanced scene analysis and graduation optimization. EV bracketing with ±2EV range makes it easy to create high dynamic range composite images.

Thirteen creative styles can be selected to enhance images and then fine-tuned by customizing contrast, sharpness, zone matching and other parameters, while three user-programmable memories provide instant access to as many as 26 different mode settings.

Powerful RAW file processing control is put in the photographer's hands with the included Image Data Converter SR3 software that delivers faster file processing speeds, easy adjustment of image parameters, Dynamic Range Optimization, and a new Peripheral Illumination function that compensates for corner light fall off.

With the camera's HDMI output and Photo TV HD mode, your creative output can be enjoyed on a compatible HD television. This mode brings the look of actual printed photography to the television, by fine-tuning such image parameters as sharpness, gradation, and color.

Comfort in Your Hands

Its construction features rugged, lightweight magnesium alloy with moisture-resistant, rubber seals for buttons and dials, an anti-static coating to prevent dust adherence to the imager, and a high-endurance shutter rated for more than 100,000 release cycles.

It has a 3-inch, Xtra Fine LCD screen (921K) that makes it possible to check focus and image quality with accuracy. It incorporates an easy-to-see display with a quick navigation menu to easily access common functions without interrupting your creative flow. A backlit LCD panel sits on top of the camera and displays key settings.

System Expansion with New Accessories


The A900 camera will be accompanied with an array of accessories like the recently-announced Sony HVL-F58AM flash unit with its innovative Quick Shift Bounce system, powerful performance with a guide number of 58, and wireless auto flash ratio control.


The Sony VG-C90AM vertical grip offers the same ease of operation when shooting vertically as horizontally, with its button layout and low-position shutter-release button. It also houses two InfoLITHIUM batteries (sold separately) for longer shooting and playback.

The DSLR-A900 body will be available in November for about $3,000 along with related accessories. All will be available at authorized dealers, at military base exchanges, Sony Style retail stores, and at sonystyle.com. Online pre-orders began on Sept. 10.

Full-Frame, 24.6MP, and SteadyShot Integrated IS A900 Specifications
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  • chiew - Saturday, September 13, 2008 - link

    what conditions did the a700 survive in that the 1Ds didn't?
  • hanugro - Friday, September 12, 2008 - link

    Hm ,I do remember last year that I heard about shooting video and choosing 1 fram as digital still from SOny CEO himself. I don't know whether it is his idea or he heard from someone else. But Sony has stated that it won't put feature that is not ready. I am sure it has cross Sony's mind. Also they are one that among the first develop sensor that can take 120fps but at lower resolution. You have to understand that this 24MP create about 15MB per frame. If your video is 24fps then does the CF available now is big enough? Also don't tell me that SOny should allow lower HDTV 1920x1080 pixel video and hope that you can extract one frame of it and sell it to newspaper. They will laugh at it, newspaper / magazine needs at least 6-12MP pictures before they consider to publish it. Also if you want video then buy videocam instead. I imagine using liveview (or using the sensor for video) will shorten the live of the sensor itself. Whay would I want to do that?
  • aeternitas - Friday, September 12, 2008 - link

    I think people willing to pay 3k for a camera;
    #1 Dont care about 100$ battery. (wtf?)
    #2 Could get something better for a bit more if they want new.
    #3 Something better for less if they buy used.
    #4 Nikon and Cannon will come out with something better for less in a matter of a few months.

    "Full frame" is great, but all it does is get rid of crop factoron 35mm cameras. What happeneds when CCDs get bigger? They will need to, becuse no matter what technology the camera has in it, SnR is going to be better at lower MP resolutions on the same size CCD. 24MP sounds fantastic, but noice reduction does not always equate to added detail. The only real way to get more detail, is to actualy replace noise with information and the real only wat to do that is to make the CCD bigger or make the pixelsites bigger.
  • gipper51 - Friday, September 12, 2008 - link

    Nice preview of a very interesting camera. I did notice several times you mentioned the Sony as being twice the resolution as the D3/5D which is not accurate. It has twice the pixels but you need 4x the pixels to truly double a sensors resolving power.

    This camera should shake up the industry on the high end. I can't see Canikon shooters ditching their current investments and going with Sony because of this cam, but at the very least the era of high resolution FF cameras costing as much as a new compact car is over. Bravo Sony.
  • chiew - Friday, September 12, 2008 - link

    Just a note: Canon's 1Ds mkIII has a larger viewfinder than the A900 in specs...

    Canon 1Ds mkIII: .76x 100% FF vf
    Sony A900: .74x 100% FF vf

    Yea the Canon costs more than 2x as much. However, if history has its say, Canon will trickle down the viewfinder like it did from the Canon 1Ds mkII to the 5D (0.70x in the 1Ds mkII and 0.71x in the 5D). Whatever Canon has up its sleeve, its likely a full frame, and hopefully Canon users will get a nice large viewfinder in whatever the followup to the 5D is.
  • KorruptioN - Friday, September 12, 2008 - link

    As for the bump in fps rate with cropped lenses like Nikon does, apparently this is due to a lens design decision by Minolta. The aperture arm must travel a much more significant distance compared to the aperture arms in Nikon's lenses. This physical requirement alone is likely what is limiting all of Sony's DSLRs to 5fps maximum.
  • Wesley Fink - Friday, September 12, 2008 - link

    I shot several images with DT lenses and the A900 crop factor worked perfectly. You can also manually force DT, even on a full-frame lens. With that capability, and an 11 megapixel image size in crop mode, a faster shooting speed would have been an incredible feature. The Nikon 5 megapixel crop-mode image is OK for newspaper but too small for some things. An 11 megapixel crop is a lot more interesting.
  • strikeback03 - Friday, September 12, 2008 - link

    The point of an L bracket is to get the flash above the lens regardless of camera orientation. This new flash still has the flash offset to the side, so you still need a bracket if you want to move your flash over top of your lens.
  • Wesley Fink - Friday, September 12, 2008 - link

    There are some cases where an in-line flash is more desirable, but for most situations where photographers use a flash the Sony 90 degree turn will accomplish just what the photographer is looking for when he attaches an L bracket.
  • haplo602 - Friday, September 12, 2008 - link

    I bought a Nikon F75 as my first SLR after some long search and decision making. Then a few days after it's arrival I learned about the Minolta Dynx 7 and regreted my decision. A few months later I had the opportunity to actualy shoot with a Minolta 7D and I was even more unhappy.

    Now with this new Sony, I am close to tears. The Nikons I have are solid cameras, I do not complain there, however any Nikon camera close to this Alpha sensor will cost a fortune which I cannot afford. The A900 seems like a quality and "cheap" camera.

    (I have to add I never owned a DSLR :-))

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