Digital Camera Buyers' Guide - Year of the SLR
by Wesley Fink on November 23, 2007 6:00 AM EST- Posted in
- Digital Camera
Things to Consider
Consumer Electronics are always on an accelerating roller coaster of better performing products, shorter life spans, and quick changes in the market. Despite this, there are watershed events in the markets for consumer electronics that bring stability and orderly progress to markets that were chaotic. An example of this is when DVD+ and DVD- merged and were supported by all DVD players and recorders. This holiday season we are hot in a war of HD-DVD and Blu-Ray and whoever wins will make the opposing camp very unhappy. There are hints and rumors that HD-DVD and Blu-Ray may go the way of DVD and merge into a standard that supports both, but there is too much at stake in both camps to even hint there is any real interest in that development right now.
You might ask what that has to do with digital SLR cameras. The answer is that DSLRs are on the verge of a format war. Canon has had full-frame DSLR pro models for several years, and their hot-selling full-frame 5D has dropped in price these days to near prosumer territory. Nikon has also announced their first full-frame pro DSLR. Rumor has it that Sony's upcoming pro DSLR will also be full-frame, which makes sense when you consider that Sony is the primary supplier of Nikon sensors.
For those of us who have been using SLRs for many years the compromises of lens factors and APS-C sensors are just too much. It is frustrating to see an incredible and expensive Nikon 20mm wide-angle lens behave like a common 30mm wide angle on a D300 or a D80. It would be nice to see a 20mm ultra wide angle again, and full-size DSLR sensors allow that.
It certainly appears that the DSLR camp is going to be split by manufacturers in the near future to full-frame pro models and APS-C entry to prosumer models. This will require companies to support two lens lines with some overlap, but the pros will win this one and we will still be using mainly 35mm glass for quality results on the APS-C cameras. There will be cheaper "small sensor" lenses, as there now are, but perhaps fewer of these in the future. This is due to the reality that advanced amateurs inevitably want to shoot what the pros shoot. That is why they buy Canon 5Ds today and why they will demand full-frame prosumer DSLRs in the future.
This is where Olympus and the 4/3 system has a crack to pop through, because the only real standards in digital and SLRs in general are full-frame 35mm on the one hand and 4/3 on the digital side. Perhaps another small-size sensor standard will develop, but as long as the big players like Nikon and Canon are mainly interested in making pro glass for the developing full-frame DSLR market there is no incentive for them to develop a new small-sensor standard. Players like Pentax just don't have the influence to forge a new standard on their own.
By this point we hope to have shed some new light on your holiday shopping for a digital SLR. Our recommendations will not be popular with many Canon and Nikon owners, but we have personally spent time with every camera discussed in this guide and we call them as we see them. This is an interesting time in the digital photography market. It is a time of flux that will only increase as this battle plays out, but what develops will probably be interesting and surprising.
Have fun shopping for the best buy in digital SLRs this holiday season. There are many great buys out there and you will likely see lots of superb specials as manufacturers fight for market share. Performance is good enough on most of the entry-level cameras that you would not be wrong to shop for the best price you can find on a 10MP camera for example. Whatever you choose, just be sure to take lots of digital pictures of your family and friends opening their holiday presents.
Happy Holidays from AnandTech!
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Johnmcl7 - Saturday, November 24, 2007 - link
The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3.
Also, the E-3 doesn't have a lens cleaning feature:
"The E-3 is also the first Olympus pro model to feature built-in flash, and it's dust and splash sealed. Auto lens cleaning is a feature, image stabilization is built in and works with all lenses, and the latest incarnation of Live View with a fold out articulating LCD screen is featured."
I assume you're referring to the sensor cleaning feature?
John
Johnmcl7 - Saturday, November 24, 2007 - link
The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3
John
Johnmcl7 - Saturday, November 24, 2007 - link
The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3
John
Johnmcl7 - Saturday, November 24, 2007 - link
The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3
John
Johnmcl7 - Saturday, November 24, 2007 - link
The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3
John
Johnmcl7 - Saturday, November 24, 2007 - link
The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3
John
Johnmcl7 - Saturday, November 24, 2007 - link
The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3
John
Johnmcl7 - Saturday, November 24, 2007 - link
The Digilux 3 is the Leica branded version of the Panasonic DMC-L1 and they're both relatively hefty cameras when compared to the smaller E-410/E-510 cameras or even their Olympus sibling the E-330. Although not anywhere near as big as something like the 5D, the Digilux 3 is bigger than the E-510.The Digilux 2 was a smaller camera (Leica version of the Panasonic LC-1) which may be the one you're thinking of although this wasn't an SLR despite the similarity in design to the L1/Digilux 3
John
smmorrison - Saturday, November 24, 2007 - link
This isn't a bad buying guide and certainly better than wired magazines recent guide which was horrible.My main concern(and I am a photography teacher) is that these guides don't ever really take into account one of the primary reasons for buying a DSLR...the lenses & accessories. There are many reasons why most pros or semi pros choose nikon or canon(and I am a canon guy myself). They have lenses and accessories for everything. Need a macro lens, got it, need a tilt shift...got it...super tele for birdwatching or sports...got it...super low light prime...got it. And I think sports will be a main reason for many families buying DSLR's. Nikon and Canon are far superior for shooting sports. There are 3rd party alternatives for many other brands, but they often are not as good as the manufacturers lenses or have issues with focusing or compatibility(sigma is well known for this). Then there are the accessories...off camera flashes, macro flashes, off camera cords, battery grips...the list goes on. Some of the other brands might have some of these as well...but at some point, if a photographer progresses they will likely reach a point where sony or olympus or even pentax doesnt have the lens or accessory for what they want to do. Might not happen, but if you get really into the hobby it probably will. There is also the factor of the used lens market...It is far easier to find used lenses for Nikon and Canon on ebay, FredMiranda, B&H, etc.
I also fully agree with some of the above comments about image quality. These are DSLR's NOT point and shoots...I think people have gotten obsessed with features with point and shoot cameras, but with DSLR's its about the image quality...and what these articles frequently forget is that the image quality often comes down to the glass. You are really buying a lens system, not a body...Megapixels, in camera stabilization, and sensor cleaning really are not that big a deal.
The only '3nd tier' brand that would be interesting is Pentax, since you can use their older lenses...a big factor, since many of the older primes are great lenses and can be bought cheap. I would never recommend Sony or Olympus to students or friends.
If magazines and websites are going to start talking about DSLR's, they need to not focus on the bodies so much and start seriously talking about the lenses and recognize that Canon and Nikon are on top for a reason...they have everything you will ever need for your camera.
just my .02
Wesley Fink - Saturday, November 24, 2007 - link
Actually we chose the Olympus E-510 2-lens kit BECAUSE of the superior imaging quality of the kit lenses. Both kit lenses, which cover the 35mm equivalent of 28mm to 300 mm are far better in image quality than either Canon or Nikon kit lenses. Check out other review sites and you will see many other sites agree the Olympus kit lenses are better quality than the competition and that Olympus 4/3 lenses in general provide better image quality than competing lenses on APS-C cameries.Do we ignore image quality and select Canon or Nikon because they are better known in DSLR? We agree and stated that Canon or Nikon are the safe choices, but thy are not necessarily the best quality in digital imaging.